Outdoor Painter.com article

 Bob Bahr did a writeup about me over at OutdoorPainters.com the home of Plein Air magazine about my favorite place to paint! I appreciate the press and I'm honored to be mentioned on their site.

"People may know about Randy Saffle's tendency to paint tractors.

But they probably don't know why he does it."

 

  It's fun to see my work collected like this. I get asked some of these same questions Bob asked me all the time. Here was my chance to put it in print. Thank you for the recognition and the chance to share.

Click the link to read.

OutdoorPainter.com | My Favorite Place to Paint: Randy Saffle | Home of Plein Air Magazine

Saddle Up with a Egbert brush

 

"Saddle Up"

12 x 16

 

Painted this using primarily a "Egbert" bristle brush. ( pictured below )

 This brush has really long bristles and no matter how hard you try it's tough to do really tight overly rendered work. I like to start paintings as loose as possible and feel like it helps to add energy to the piece when it works out, but I don't always use this brush. Sometimes, I use a 1" wide flat that has worn bristles to block in my start. I don't have any set method and I love to experiment.

The start of a painting is my favorite part because drawing is fun to me and one of my strong points since I've been drawing far longer than painting.

Topless - Must be over 21 to view

 

"Topless"

5 x 7

 

I found this tractor on a side road in a small town and was struck with how strange it looked with it's hood off. I had to paint it! 

           

"My Tractors Sexy" & Finished!

"My Tractors Sexy"

12" x 16" Oil

I promised a better picture of my completed painting from a few posts ago, so here it is. If you missed the step by step photos here they are.

This is also one of my entries into the Grapevine Plein air show coming up soon. Let's see if I can keep my good luck & momentum moving forward!

Plein Air Southwest Salon

“Day of Rest”

SOURCETEK AWARD OF EXCELLENCE

and

PEOPLE’S CHOICE AWARD

My painting "A Day of Rest" received an Award of Excellence at the Plein Air Southwest Salon show yesterday from judge John Budicin. Later that night I was blown away by also winning the "Peoples Choice" award. I am truly blessed to have so much support. Just to hang on the same wall as these artists was honor enough for me, but to call them FRIENDS.....I'm humbled.

I also won an "Honorable Mention" award in the Outdoor Painters Society's Associates members show for my painting "Just Sitting"

"Just Sitting"

Six years ago, my wife told me about a painting group holding a quick draw event that Saturday. I was not an oil painter and I had no idea what a quick draw was. I went to it and was amazed at what I saw. I didn't know you could do an oil painting in under two hours, especially paintings of that quality, but what amazed me the most was how welcoming, friendly and quick to share this group of people were. That night I went to the 1st Plein Air Southwest Salon show and I WAS HOOKED! I'm proud to be a member but most proud of my friendships inside the group.

Southwest Gallery opening night

John Budicin & myself at the artist dinner

Quick Draw painting at White Rock Lake in progress

Is it just me or do paintings look better with big ribbons?

My wife loves and supports me and makes my life fun.

View all of the winning paintings here

http://www.paswsalon.com/pasw/2012_Winners.html

Come into the light children...

"Green, Green Grass..."

10 x 20 Oil

I tried a more ambitious painting at least size wise. I thought the subject matter would allow me to paint larger than normal and it did. Unfortunately I chose a very windy day and a back lit subject to do this. When, it came time to lay in the grass, I did everything I could to try and duplicate to glowing color I was seeing and I think I accomplished this. You can see in the photo of me working that the color really looked like that! This is one of the reasons that plein air painting is worth the effort. If I had painted this from a photo  back home in the studio, I'm sure I wouldn't have been able to make the grass and light glow like this because I wouldn't have seen it the same way.

 

Photo of subject, but from a slightly different angle.

Looking into the light for a long time can make mixing colors difficult.

Detail of brushwork,

The orange glow is the tinted board showing through.

Sometimes letting the board show is the best way to keep a glow.

Step By Step Plein Air Tractor

Plein Air 12 x 16

 I will post a better photo after it's dry.

My block in on a pre-tinted canvas. I was using a 3/4" brush and linked all my shadows to solidify the mass. My darks are not all one shade. They shift from cool and warms and I added some Sap green into the mixture in the grass shadows.

My Subject - Interesting to compare photo with final painting and see where drawing errors happened. Much harder to see when your in the heat of the battle.  

I jumped into the details of the tractor because I liked what the light was doing at that moment and it was the fun part to paint. Tried real hard to leave as much of the beginning darks alone to keep my depth.

I used this long haired brush from Ace Hardware for laying in my grass. It puts down a lot of paint and the bristles make long sweeping texture. Not bad for a .99 cent brush. I typically put the most texture in the foreground and spots I want to highlight. You can see the brush I used at the bottom of the painting.

  

You can see the size of the painting in this shot if you can look past my my handsome profile.

 

Working some fence details and adding in the roof. I want the fence to have depth, but I don't get carried away with any one part. Also, I try and keep the darks in the fence connected to the darks in the tractor since they are on the same plane. I paint in my sky last after laying in more trees. After the sky is in, I work the tree branches back on top of the sky. I try to not bring much attention to this area. When I was close to finishing I changed the angle of the house roof on the right side to point back towards my tractor since it is my main subject. ( see final picture )

Patriotic Tractor

"Patriotic Tractor"

12" x 16"

I tried this one larger than my usual 9 x 12 size. The increased size made it more difficult to finish in my normal time frame and also made the drawing tougher, because it's hard to hide any drawing errors. Some things worked and some didn't, but it's always fun.

I don't need any extra reasons to paint a tractor, but I loved the little flag on the front.

Sorry 2 My Family

"Parade Tractor"

9 x 12  © 2011

I found this tractor, immediately took my family home, squeezed out a call to a painting buddy and went to work. ( Sorry 2 my family )

I laid the darks in very dry and applied the paint with thick deliberate strokes. I approached it a little looser and personally like the results. I'm real curious what you guys think.

Rusted Junk Heaven

"Red Tractor" 

9" x 12"

I saw this great red tractor in the same area of Fredericksburgh, Tx as my painting "Rusted Work Truck". It was a rusted junk plein air painters heaven. I could have painted a dozen more just like this one, just spinning in place.

Rest in Peace, Tractor

"Ready for Work" 

8" x 10"

Sometimes, a painting sits around for a few days and you find something you are not totally satisfied so you grab the brushes and go about reworking the places that bothered you and hopefully improve the painting. Sometimes you grab those brushes and no matter what you do things just get worse and worse.  I tried to rework the foreground and background on this painting and I'm sad to say, completely wrecked it. The photo above was prior to the new work. Seeing it again at this size, things don't look so bad and I wish I had left it alone.  After three attempts this painting is dark, dead and near lifeless. A hard lesson learned.

I won't give up because it had promise and is oil. I should be able to cover anything up, but I think it's best to put it aside and let us both rest for awhile.